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Published 18:40 3 Sept 2019 BST
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But none of that is really the point. This movie is a haunted house, a roller coaster. Returning director Andy Muschietti knows how to set up a set piece, how to do a jump scare and how to get you screaming along with the characters on screen. This is big-budget horror that uses state of the art CGI to create nightmarish visions, and it constantly throws inventive set-pieces at you. A giant fibreglass woodsman tries to chop up people, a chemist’s basement becomes a terrifying Silent Hill style operating theatre, and somehow Muschietti manages to make both a skateboard and some fortunate cookies really scary. Still, at nearly three hours long, it all begins to drag towards the end when we get to the inevitable big pre-vis’d finale.
The switch to contemporary times does also kill some of the nostalgic vibes made the first part so enjoyable. Instead of the Stand By Me feel of kids off on their bikes, we get Bill Hader undercutting the tension by rattling off one-liners, and the real-feeling friendships of the young cast is hard to replicate when they are replaced with movie stars who come with baggage and established personas. That’s not to say the Stephen King magic is lost by and any means, with some deliberate nods to both The Shining and Stand By Me, and King himself even having an extended cameo.
In a summer that has given us a horror film as overpowering and original as Midsommar, It Chapter 2 can’t help but feel a little by the numbers. Still, in an era where blockbuster filmmaking is increasingly being limited the same genres, franchises and studios, it is encouraging to see that big-budget horror is still a viable proposition for Hollywood.
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